海上钢琴师英文读后感

Film Review of 1900

I read a lot of psychological book and I learned more about people's psychological problems. So when I watch this movie, I focused a lot on the Psychology. of the actor and I was intersted in this book.

Identity is determined by genetic endowment, shaped by environment, and influenced by chance events. People are influenced by their environment and, in turn, influence their environment. He was born on this ship, never more than fit between prow and stern and the world passed me by. .He spent all his life in a boat. The environment was special, so he had a special character which was different form the other.

He never walked into the land. At a time, he decided to go to the land, but when walked in the half of the hanging ladder, he not dare to go down, and felt at lost. As he said “There were thousands of them! And how do you do it down there?How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die...”“All that city you just couldn’t see an end to it.”.

All his life, just facing the sea and the piano, all the land for him was an uncertainty. He did not know what to do and where to go. He could not face the real world, nothing can instead of his attachment to the ship, even the power of love. He is a person of non-normal psychology 。

From a view of psychology, infant safety and caressing environment is very important for his healthy growth. We know, when the toddler tried

to walk ,only mother within the scope of his vision he dare to move forward, and he knew it was safe. Mother can give us enough sense of security.

We knew, 1900 was abandoned at birth,was born without love. There are no attachment to the object, only in the boat he felt safe. he never walked into real social and could not play his role in society, he felt at loss.

From a view of psychology. he faced a self- identity crisis, He could not recognize himself, did not find out who he was and what his strength and weakness was, not knowing, what kind of person he would be in the various world. So he just stood on the ship, repeating a bumpy journey, but dare not go into the community

How to obtain self-identity., is a major obstacle to for most college students to develop in nowadays. The self-identity is formed in response to a number of options: for example, what kind of career I want, what position I belong to in the society and so on.

Some students are going through an identity crisis and are endeavoring to find out who they are and what their strengths and weaknesses are. As a college student, we are growing in our understanding of ourselves, others , and the world in which we live. Only in this way , can we grow with a healthy psychology and make contribute to our society.

 

第二篇:海上钢琴师读后感

《海上钢琴师》读后感

大家好,今天我想谈谈看完《海上钢琴师》的感受。我本善良,善意的谎言,真切的爱慕,深刻的友谊,淳朴的心灵。这是当我看完这部电影时的一些表面看法。船上填煤工丹尼在蒸汽船上发现了这个被遗弃的男孩并为他取名为“1900”,他教男孩识字,善意的欺骗他以使他不至于因为没有母亲而感到悲痛,就这样“1900”快乐而又自由的生活在海上,日日夜夜感受着大海的欢乐与悲痛。“1900”长大后成为了一名钢琴师,他有自己的想法和感情,他是自由的,因此他的曲子都是随机创作的,他想到什么,看到什么,然后利用自己的手指,按下琴键,感情在不经意间就流露出来,给人完全真实的感觉。他是那样的自由不羁,有时在演奏的时候他会即兴改变所弹得曲子,这令自己的同伴很是无奈,但这就是“1900”:一个本真的自我。当遇到向自己挑战的人时,他还是以绅士的风度让对手输得心服口服。我们说他的琴声出自内心,没有任何杂质,干净的如同一泓清水。当他在谈钢琴时,偶然间他在船舱圆圆的窗口看到了一张美丽的脸庞,明眸,红唇,让人感觉清新舒畅,他就这样静静的注视着她,琴声如流水汩汩,顿时让人感觉心灵安静,当你静静的倾听那音乐的时候,你会觉得世界上如果没有音乐,那会是多么的苍白。就这样一首曲子诞生了,但是“1900”不会将它运用到商业中来为自己谋取财富,因为音乐是他的生命,而金钱只是外在的东西,他根本不在乎的,当然在如今这个崇尚拜金主义的社会里,金钱是身外之物可能只适合少数人了,说实话我没有那么高尚的境界,以现在我的经济状况而言,金钱对于我来说还

是很重要的······哎,我是俗人啊!言归正传,他想把录音带送给她,但是没有成功,他只能悔恨而又伤心地毁掉它,那里面寄托了真挚而又纯洁的感情,那是一种美好又带点遗憾的暗恋。就这样,女孩下了船,而他始终未曾踏离船一步。当他终于下定决心走下船时,当他看到纵横交错的道路时,他将自己的帽子扔入水中,看着它漂浮,看着满眼与船中截然不同的陆地,在众目睽睽之下,他毅然转头又会到了船上。他说这一生都不会离开船,从出生到现在他从未踏离船一步,他已经完全习惯了船上的生活,而陆地对于他来说是一个未知的世界。当维珍妮亚号将要拆除的时候,他的朋友坚信船上有人,尽管他人已经检查过很多遍了。终于朋友还是找到的他。“1900”说,他说:“我看不见城市的尽头,我需要看见世界的尽头。拿钢琴来说,键盘有始也有终,并不是无限的,音乐是无限的。在琴键上,奏出无限的音乐,我喜欢。可是走过跳板之后,前面的键盘,有无数的琴键。无限大的键盘怎奏得出音乐?——不是给凡人奏,是给上帝奏。我生于船,长于船。这艘船每次只载客二千,既载人也载梦想,但范围离不开船头与船尾之间,我过惯那样的日子——陆地?对我来说,陆地是艘太大的船,是位太美的美女,是条太长的航程,是瓶太浓的香水,是篇无从弹奏的乐章。我没法舍弃这艘船。我宁可……舍弃自己的生命。反正,世间没有人记得我,除了你,只有你知道我在这里。你属于少数,原谅我,朋友,我不能下船。 ”

是啊,当你在一个环境中呆的太久的时候,我们似乎已经感觉与

这种环境是密不可分的,对于其他的环境我们真的没有勇气去尝试,去探索,因为我们不能确定会发生什么样的事情。对于他终生没有下船我有两种看法:一、海上钢琴师虽然在船上是人人敬仰的人物,但是到了陆地上他还会得到这样的赞誉吗?他没有把握,那样的世界对他来说是一个未知数,因此他不敢下船;二、他爱钢琴胜过自己的生命,在船上,他可以在这个狭小的简单的世界里来创造属于自己的千变万化的音乐世界,但是陆地则不同,陆地本身就很复杂,充斥着各种各样的虚伪与污秽,那原本就是一个千变万化的世界,在这样的世界里,他的纯净的音乐世界与复杂的社会现实肯定会格格不入,那样就会使他失去他所热爱的音乐的本质,所以不下船对他来说是保留了自己的音乐世界。

他的朋友max对他的感情也是值得描写的,max敬佩他的才华,给他由衷的赞赏,在船上他们结下了深厚的友谊。当维珍妮亚号将要被炸掉时,他努力说服负责人让他上船检查,因为他爱他的朋友,不想失去他,最后他理解了“1900”不下船的原因,他表示理解,这就是朋友。

同样乐器行的老板也是善良的。对他说,一个好的故事比一个旧小号值钱。他听完max的讲述后对钢琴师在感到惋惜的同时也对max的真诚打动,因此最后他把max卖给他的小号还给了他,这是人本性的善良。

对于这部影片,大家可能有自己的一些想法和感受,希望咱们能

一块交流,共同感受电影所带给我们的欢乐与启示。

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