The phantom of the opera Andrew Roy Webb is a composer of Broadway musicals. Ghost also translated as the phantom of the opera, opera theatre or opera. Premiered in 1986, in 1988 seven received the Toni prize, is one of the musical's four major plays. "The phantom of the opera" music brings us a visual and auditory enjoyment.Whether it is a ghost, Kristen or Raoul can bring us different perception of music, they go to the interpretation oftheir love with your own voice. This is undoubtedly to the audience is a kind of beauty to enjoy music.

This is a typical and touching love story, about a mysterious ghost haunts the opera with a mask to hide her ugly face, fall in love with a soprano singer story. There is the complex feelings of the characters, dramatic conflict filled with tension, as well as the nineteenth Century society unique that erupted from rigorous mysterious fear

aristocrat, delicate

hidden in

all can mobilize and the andrepressed. Stage unfolds the Grand Theater momentum magnificent, the ghastly terrorist underground world,sensitive young charming girl donna. And the face, that is masked inferiority jealousy, rage and the callous terrorbehind fragile heart, almost

audience emotional elementsare concentrated in the Caston Lehu de in the original work, and in Webb's hands as it brushed the dust, and thensplit fanghua.

I think the most wonderful opera arias than the ghost of the first act and the heroine Kristen below the ancient The Paris Opera House, soulful duet "unfathomable depth of two two people of the phantom of the opera", singingmany bel composition, musical motives in different tune again and again, the time that the Yizhenyihuan like sleephalf awakened drama show incisively and vividly, emotional integration will be filled with love and fantasy behaveand plaintive, perfect and moving; use the melody rhythm in a dotted figure, there is a strong push and a sense of tension, produced the first emotional climax of the play, Kristen and the ghost with singing, so that the audience was completely immersed in the beautiful, sincere and somewhat sentimental romantic love story, while also looking forward to the ghost, Kristen, Raoul these two men and a woman's feelings the next will be how to develop.

When Raoul of the Christian feelings give affirmation will sounded a The point of no return, I saw Kristen'sfascination with phantom and dependence, I think she is the love of a few degrees of phantom of the opera, but the fact is the phantom of a deep dependence. There is still a "All I Ask of You", is repeated in the play a melody, in different games for different roles have different lyrics. It can be said, this is the theme melody, a different interpretation of different roles, different lyrics, the expression of two men of Kristen different love.

"The phantom of the opera" is not only made amazing achievements in music and art, in the circumstances of thecontent is more and more audience very deep shock! At the end of the film, the film gives us a lot of imagination.Kristen cemetery next to the corner, a red rose with

mind. The a ghost had theatre given her the ring, lying there quietly, despite the old years of passing waves. So quiet ending but let a person feel the wordless true lingering in my has been dilapidated, youth has become man, he

got monkey music box ghost, and be enshrined in thedeath of the wife of the tomb, wish have a sigh of relief, this is his wish, or her last words? To be sure, she never forgot her angel, when her husband saw the grave was parked in a single tied with black ribbon of red roses -- thatis the ghost of a token of love, just set the specter had intended to send her a diamond ring wedding, her husbanddidn't feel particularly surprised the audience saw his maturity and the wife really understand. Time elapsed, roses are red.

In short, this is a very worthy of recommendation musical a look, thank the teacher played the phantom of the opera "for us"!

译文：歌剧魅影是一部安德鲁·洛伊·韦伯作曲的百老汇音乐剧。又译做歌声魅影、剧院魅影或歌剧院的幽灵。19xx年首演，于19xx年获得七项托尼奖，是音乐剧四大名剧之一。《歌剧魅影》的音乐带给了我们视觉和听觉上的享受。无论是幽灵、克里斯汀还是拉乌尔都带给了我们不同的音乐感受，他们用自己的声音去诠释了对各自的爱。这无疑对观众来说是一种音乐美的享受。

这是个典型而感人的爱情故事，关于一个出没歌剧院里，用一副面具遮掩自己丑陋面孔的神秘幽灵，爱上一个女高音歌唱演员的故事。这里面有错综复杂的人物感情，充满张力的戏剧化冲突，以及19世纪社交界特有的那份自严谨中爆发出来的神秘恐惧和性格压抑。舞台上展现出气势恢宏的大剧院，阴森恐怖的地下世界，敏感多情的贵族青年，楚楚可怜的红伶少女。还有那张脸，那隐藏在木然恐怖的假面背后的自卑嫉恨，狂暴而又脆弱的心灵，几乎所有可以调动观众情绪的要素都浓缩在卡斯顿-勒胡德原著中，并在韦伯的手中为它拂去浮尘，再绽芳华。

我认为全剧最精彩的唱段莫过于第一幕中幽灵和女主角克里斯汀在古老的巴黎歌剧院下面，深不可测的地底两人的深情二重唱“歌声魅影”，演唱多有美声成分，音乐动机在不同的调上一次次再现，把当时那种亦真亦幻般睡半醒的戏剧情境表现得淋漓尽致以及将充满爱与幻想的情感交融表现得及其凄婉、完美而动人；旋律节奏中多采用的附点音型，有一种强烈的推动感和紧张感，制造出全剧中第一个情感高潮，克里斯汀与幽灵声情并茂的歌唱，使观众完全沉浸在这个美妙、真诚而又略带感伤的浪漫爱情故事当中，同时也期待着幽灵、克里斯汀、拉乌尔这两个男人与一个女人的的感情接下来将会如何发展下去。

当拉乌尔对克里斯丁的感情给予肯定时会响起一首The point of no return，我看到了克里斯汀对魅影的迷恋和依赖，我几度误认为她是爱魅影的，但事实上只是对魅影的一种深深的依赖罢了。其中还有一段《All I Ask of You》，是全剧中反复出现的一段旋律，在不同的场次因不同的角色有不同的唱词。可以说，这是全剧的主题旋律，不同角色、不同唱词的不同演绎，表达了两位男主人公对克里斯汀不同的爱情。

《歌剧魅影》不仅在音乐和艺术方面取得惊人的成果，在情节的内容上更是更了观众很深的震撼！在影片的结尾，影片给了我们很大的想象空间。克里斯汀墓地旁边小小的角落里，一朵红玫瑰配着幽灵曾经送给她的戒指，静静躺在那里，任凭岁月逝去如潮。这样静寂的结局却让人觉得无言的真情萦绕于心。剧院已破败，青年已成老叟，他得到幽灵的小猴音乐盒，并将其供奉在亡妻墓前，心愿已了般轻叹一口气，这是他的心愿，还是她的遗言？有一点可以肯定，她从未忘记过她的天使，当丈夫看到墓边居然停放着一朵绑着黑丝带的红玫瑰——那是幽灵爱情的信物，只是多套了枚幽灵曾打算送她的结婚钻戒，丈夫并不感到特别吃惊，观众看到了他的成熟和对爱妻真正的理解。时光已老，玫瑰依然红。

总之，这是一部很值得推荐一看的音乐剧影片，感谢老师给我们播放了《歌剧魅影》！

 

第二篇：歌剧魅影读后感

祝祎婷 英语091

200910010119

I appreciate the way the film went on and its ending.

The film began with a monochrome frame: 1919 in Paris Opera, an old man in a wheelchair and an old lady, from whose eye contract I realize they knew each other, an action, a music box and a chandelier. The atmosphere was silent and bleak, which also gave the story a history charm.

Suddenly, the broken chandelier came to itself and the frame became vivid. I notice that the time dated back to 1870 when the story started. It is a cutback of plot and I like it. It makes remember the film Titanic: Rose thought of past when she saw the wall cabinet salvaged from seafloor. Both the two had symbols to lead audience into plots.

The film lasted more than two hours and during it, there are many

cutbacks to connect past the story happened and now. Especially in the end, Raoul, the old man who first appeared in the film, appeared again, still in the wheelchair, came to his wife’s tomb. I think it is a good around echo to end the story. It makes the starting and ending coherent and the story complete.

Apart from the cutback it used in the film, I also like the ending. It’s hard to say it is a happy one or sad one, and I regard it as a tragicomedy: happy because Christine lived with Raoul as they expected; sad because Phantom was still alone.

I feel shocked at last when I see a rose and a ring beside Christine’s tomb. It is Phantom’s deep love to Christine. Luckily, at that moment, I know, to Phantom, it doesn’t matter whether loved him or not, but that he had gone out of the darkness to have his new life. What’s more, Raoul put the music box which was made by Phantom in front of Christine. That is, he had regarded Phantom, his past rival, as his friend and her wife’s mentor. This scene was peaceful: two men loved a woman, but they would not fight any more; they just loved her in their own ways.