这是《钢琴之恋》的读后感

An Analysis of Jane Eyre

The novel is rich in poetry, symbolism and metaphor. It does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of Austen, or a straightforward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bronte did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial.

The novel is written in the first person, and thus magnifies the central character - the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective, especially since we know that Charlottes Brontes own life and experiences were so closely interwoven with the heroine's. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester - thus the narrative is RETROSPECTIVE (looking back). CB is clever in blending the narrative so that at times Jane seems to be speaking as an adult with adult hindsight , while at others she she is "in the middle" of them, as a child or young woman. The indecision which is a central issue in the book, is heightened by this device. We never know, as readers, whether to be entirely trustful of Janes actions and thoughts, because we are never sure wheher she is speaking impulsively or maturely.

This intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of JE's life. Can we believe what the heroine says, or is she deceiving herself? The novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. The supernatural has its place, as do dreams, portents and prophesies. The heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.

The romantic element is present in two forms in Jane Eyre; the "family" aspect is dealt with in the Gateshead, Lowood and Moor House episodes, which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are, of course linked and interwoven throughout the novel.

There is also a strong element of realism in the novel, which, married to the romantic aspect, enhances the novel's strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story, in a series of vivid deive passages. The central characters are also realistic and their

confrontations and sufferings change them in a believable way.

Even the unlikely is made plausible, with a unique blend of high drama and perceptive low comedy (the attack on Mason, for instance)

The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences, are balanced by the realism, and this is of course a major strength.

The Gothic influence cannot be ignored, although CB has refined the technique considerably from the "authentic" Gothic of the 1790's. In the original genre, the heroine would typically be abducted and threatened with seduction, or worse!. There would be a lover - a respectable, well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. the seducer would be a brigand "Know that I adore Corsairs!" and he would lock the girl up in a remote castle.

There was little freedom for middle class women during the period of the Gothic novel, and this was still the case in the time of CB. Marriage especially was often a bargain, whereby fortunes were secured by using the female as a pawn. A woman's value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men, on the contrary, were potent and free; lovers and mistresses were common. Ironically the women who provided their services were social outcasts as a result.

In Jane Eyre we see elements of the Gothic romance, in that Thornfield Hall and Rochester are described very much in the brigand/castle style BUT Jane Eyre is not abducted by R. On the contrary she chooses to go there of her own free will. AND she is clear in her determination to have Rochester as a husband. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God, but he is neither kind nor benevolent; driving Jane back to Ferndean, not rescuing her from it.

The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the heroine in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul, which a WOMAN frees. In this way we see that CB created rather a daring departure from conventional fiction, although there are still many aspects of the novel which remain true to Victorian convention.! 你可以自己再修改下哦!!!

 

第二篇：读《“小书虫”酸甜记》有感

读《“小书虫”酸甜记》有感

最近我看了《小书虫酸甜记》（学习篇）。 大概内容是：习惯，往往起源于看似不经意的小事，却蕴含足以改变命运的巨大能量。本书收录30个真实的好习惯养成故事，道出了习惯养成小秘诀，也揭示习惯改变人生的真理。

妈妈告诉我：“好书是一味心灵良药”。以前我不懂，但是看了这本书后，我觉得这句话确实很有道理。比如，我懂得了每一个人从小都要养成一些好习惯，小小习惯，终身受益。这本书里给我们提供不少好习惯哟！看“家庭作业习惯改良记”，里面写了一个例子：“家庭作业成了我自由主宰下的“黑包公”。学习成绩也始终在“赤道”边缘徘徊。可是有一天，当我正在作业本上随意“涂鸦”的时候，一向忙于工作的爸爸已悄悄地来到我的身边。爸爸索性把我的书包倒了个底朝天，然后拿起我的家庭作业本，小心翼翼地把折叠的书角抚平，每一张，每一页，都耐心地修整着，生怕书角被“打回原形”??从这以后，每当做家庭作业的时候，我的脑海里就会浮现那天的情景，我决定痛改前非??” 这个故事告诉我们：习惯是在不断历练中养成的，不要指望努力一次就能成功，它需要你的耐心和恒心。由此看来，习惯的力量是很大的，但养成了坏习惯，可就难改多了！所以要从小就养成好习惯。

我读了一遍又一遍，书中每个小故事都深深的启发了我。反观自己，每次在学习上一遇到困难我就想退缩,缺乏恒心和毅力总觉得战胜不了这样的困难。读了这本书后，我端正了自己的学习态度，要学习叶钊辉和韩梓莹，面对困难，不怕吃苦，持之以恒的精神。看到“周丹青弹古筝”的故事，我也感到了对妈妈的那份愧疚，当妈妈每天下班、做完家务后，虽然累了，可还坚持陪我弹琴、学习功课时，而我却经常因为妈妈让我多写几个字，多弹几遍琴，而朝妈妈发火，想想太不应该了，我以后一定要孝顺父母，做一个有责任心和爱心的人。所以我也开始有了一些新变化。比如：上课时，大胆举手发言，不再羞答答的；在家里主动学习，不偷懒；遇到不懂的问题，问问老师，问问爸爸、妈妈；每天不再需要妈妈的催促，抽出时间练钢琴??

我还从中懂得了：多问、多听、多读、多想、多观察、多动笔、多总结，这样对我们这些求知若渴的孩子才会有更多的收获、更大的进步??

我还有很多不足的地方，需要养成更多的好习惯，感谢《小书虫酸甜记》里面给我们提供了很多好习惯，比如：晨读；今日事，今日毕；聚沙成塔；等等。我多么希望能够在广阔的书籍海洋里，收获到所有让我健康成长的营养！

师范附小

二年级3班