亲爱的安德烈 读后感

A review of Dear Andreas

It is universally acknowledged that a son is definitely their parents’son but not“other person”and he has some special and subtle relationship with their parents.After reading a book,named Dear Andreas,which is formed in a novel way,complete with letters between a son,Andreas,person of mixed race,who ever lived in Taiwan and now lives in Germany and his mother,Long Yingtai,a writer,rather than articles written by only one person between them.

When Andreas was 14 years old, his mother left Europe for the north of Taiwan to take up her job.With time going by,Andreas became an adult as his mother quit her job and went back to him.However,what upset his mother most was that she had found there should be invisible walls which separated her from her dear son.She realized that his son just“loved”her rather than“liked”her.After all they had a number of different things and had lived separately on their own.Then she made up her mind to recognize “the stranger” again.Therefore,they had been corresponding with each other for three years.In this way,they mutually penetrated into their hearts and recognized the other.

The book contains thirty-six letters,aiming at bridging the generation gap,discussing the opinions of the new and the old,the Left and the Right,the popular culture and the humanities and all.It expresses the two different generations’ values.According to it, the mother shared her previous life,the small fishing village,where she grew up,located in the south of Taiwan and the living environment,which was lack of new and novel things and so forth.The son told his mother how to defend his lovings and how to do as a German and so on.As to justice,reason and civilization,it presented me with an over-generation bond.

In these letters,Andreas ever said:“MM,you just have regarded me as a little boy.You can’t completely realize that I have been an adult.Despite the fact that you have set me free,you only to consider the freedom you gave me as your authority.You have never seen it as the rights I deserve all the time since I was born.That is to say that you have difficulty getting it that your son is not your son but the other person who is fully independent of you.”

I begin to think about what the bond between a child and his or her parents is?It is likely to reshape my previous values and world view.What relationship between my parents and I is on earth?

As far as I am concerned,the majority of parents in China probably think the western and opening education methods are better than ours at present.What is optimistic is that they also regard their children as the individuals.On the contrary,they seldom put it into practice.What’s worse,they are unable to drain the traditional parts of their blood to improve the presence.Instead,they expect their children are supposed to comply with the exact order,respect and rely on them.As a matter of fact,Chinese parents are restricted to a conventional circle that rejects the new things,especially the Wolf Dad and the Tiger Mother.Furthermore,I reckon that we,as for adults,need our space and freedom to work out what we should do and accomplish what we desire,not restrained by our parents and others.On the meanwhile,the society,which we live in,ought to be willing to build a better environment to help us to achieve our dreams.

The rights,to which are attached importance,are to become the reasons why we have freedom and own thoughts.

(经句酷批改网 批改得分89.5分)

 

第二篇:亲爱的 观后感

<亲爱的>体会

从小父母就叫我们不要到处跑,不要走丢,说:“被拐会永远见不到爸爸妈妈,很可怕。”这部电影让我看到很多方面,感触良多,细细琢磨,发现原来如此??

首先,鹏鹏父母的离异以及异地生活带来的影响是起着一个点燃作用。回想我从小异地读书也是不敢走远,在老家却可以到处溜达,因为熟悉的人无处不在。其次,丢失孩子的父母后情感的交流加深升华,让我们看到那份割舍不了的爱。当听到一个一个的父母叙述,那些话不是经历过失去孩子是难以深入体会到的。在电影院时,当鹏鹏父亲丢垃圾都背着孩子时,居然有笑声,我无法理解:那是经历失而复得的过程才产生的深深的恐惧!这些无意间的笑声让我觉得仿佛看到电影中欺骗鹏鹏父亲到河北,抢钱的没有人性的骗子。

以鹏鹏父母为主要,母亲为孩子收养妹妹的那份心,为孩子忽略现任丈夫导致离婚的决心,对赵薇所演的“母亲”的远离,是维护孩子的本能保护。父亲没有这些主要的考虑,但他懂最简单的守护:守住店铺等孩子回来;即使孩子被卖了,也希望他们知道孩子对桃过敏;一丝希望也争取哪怕是被抢钱;抱着孩子不离身。从那一句“孩子对桃过敏”,看出其实这个父亲和赵薇所演的“母亲”很像,她也是真的爱孩子,同样不屈不挠为了孩子。

退一步看韩总,那位在超市转眼丢失孩子的父亲。从出场他表示一定要找到孩子,组织父母们互相鼓励和一起寻孩子的活动,看到他的魄力,他和妻子明显是有地位的人物,酒后那番话暗示很多,包括

他的居住环境、孩子丢失的原因、寻找中的无奈等。他是大多数孩子被拐的家庭代表,身上有着无数可怜家庭的绝望和悲哀,从他的方方面面体现:其一,他不怕被村民打而奋力保护鹏鹏父母带走孩子,事后第一时间告诉大家,让大家看到希望;其二,他曾表示坚决不生第二个孩子,觉得那是对丢失孩子的背叛。但六年的寻找,特别是鹏鹏找回过后韩总产生的无力感,那短信简单有力的说出他的无比失落;其三,办理生育证时,他对要自己丢失孩子的死亡证明的愤怒,从一惊到奋力拍桌,无不透露他的悲伤。尤其鹏鹏生日会上那一句“合法的。”暗示他无奈办理丢失孩子的死亡证明,不得不承认孩子再也回不来,不得不放弃寻找丢失的孩子,不得不承认自己无奈地“背叛”丢失的孩子。比起鹏鹏父母,韩总的人物剖析和详细表现不多,但从只言片语却更深刻。就好比一个字“滚”比说再多的话,更体现感情。

而反观赵薇所演的妇女,在那些丢失孩子的父母眼中是恶魔。但是她同样代表很多的家庭:丈夫在深圳工地打工,没有地位,没有知识,虽然没有在电影中播放,但从赵薇在深圳受到的“待遇”就知道她丈夫的生活。他只不过是没有能力要孩子(从结尾赵薇怀孕猜应该是丈夫的问题),他没有想当专门的拐卖犯,只想自己的家庭孩子而已,他没有文化,以为是老婆的问题或是他根本知道是自己的问题,他不知如何通过医疗获取孩子,更是没有钱来改变没有孩子的事实,最终老实的农村人选择拐一个孩子回来。这体现中国的思想:传宗接代。 此外,我不知如何详细分析赵薇的人物,只能说她的没文化导致她选择不太正确的道路,但是她的淳朴和简单让她一步一步靠自己

的方法想做到自己和“女儿”的承诺,无形中打动律师帮她。如果问她是不是一个好妈妈,从鹏鹏疼爱妹妹,妹妹挂念妈妈可以看出,她用自己的方法给了他们最无私的爱。

我想写再多,但感觉文字比不上情感的感受。感受体会是其次,主要是希望看到电影的人,记住“没有买就没有卖”。

1、街上看到丢失孩子的父母,多了解下,有线索请免费提供。

2、作为父母,除了教孩子注意避开危险,更主要是教孩子遇到危险怎么自救!

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