《复仇者联盟》：文武俱佳的给力大片

20xx年5月5号，也就是电影《复仇者联盟》在国内正式上映的第一天，怀揣3D电影票的我抱着一丝期待，进入电影院。

《复仇者联盟》（The Avengers）主要讲诉的是钢铁侠、美国队长、雷神、绿巨人、黑寡妇、鹰眼等超级英雄集结在一起，组成强大“复仇者”团队，共同惩恶扬善，为和平而战的故事。与先前好莱坞美国式英雄大片不一样的是，《复仇者联盟》将众多美国超级英雄集聚在一起，这是对剧情，人物戏份一个很大的挑战。

一部电影的好坏不在于其特效有多华丽，人物有多俏丽，更多是对电影剧情的安排。显然，《复仇者联盟》都做到了。从一进电影院的开始，剧情跌宕起伏，没有半点拖沓，更多的是对接下来剧情的期待。毫无疑问，观看电影的人并不只是想看众多美国超级英雄打群架的，看看英雄间针锋相对，戳中对方的柔弱之处、人生阴影，也倒是很有意思的。

能合理安排众英雄的戏份，无疑是十分考验导演和编剧的，但是，他们做到了。个人感觉，在每个英雄戏份的搭配效果上，感觉比他们独立当主角时更能体现他们的风采和性格特点。譬如，美国队长在其独立的影片中给人的感觉就是一个报效国家的心和一身健硕的肌肉。但在《复仇者联盟》中，美国队长独挑大梁，以其坚毅，忠诚的形象征服了场下的观众。当然少不了本剧英雄形象突破最大的绿巨人浩克了，谁能想到，大块头爆发出的喜剧效果，也能让全场观众爆笑不止。

对于剧情，确实没得说！导演将众英雄安排在一起擦出各种火花。英雄间充满攻击性的话语却不失幽默。当然，《复仇者联盟》也不只是靠笑点和内涵撑场面的。尽管，你能无时不刻的听到钢铁侠吐槽，浩克冷不丁语出惊人，但是这远远不够我们对这部片子的全部期待。 3D电影主打的就是画面的华丽，打斗的精彩，3D《复仇者联盟》确实震撼到我们了！哪怕你看的是2D的，它也不输给任何同类题材的电影，这，就是《复仇者联盟》的魅力所在！各个大小的打斗场面，无一不追求细节。小场面如雷神战绿巨人，黑寡妇与鹰眼拳脚相加，雷神美国队长钢铁侠打群架，都是全剧的亮点，追求打斗细节，更为细腻。至于大场面，全剧最后复仇者团结一起，大战外星人的场面，更是看的场下的观众热血沸腾。当看到众英雄使出浑身解数，以己之力，为保家园大战的场面，场下各自无不动容的。

一般来说，大片的效果也就是大场面让观众过过瘾，《复仇者联盟》不止大场面，更多是在对剧情，对人物的触动。看着众英雄齐聚一堂到矛盾激化各自为战，再到最后团结在一起，共抗外敌。可以说我们的心，是跟随这他们的聚散连在一起的。因此能在第一时刻看到《复仇者联盟》，确实很满足。

当然，还想对《复仇者联盟》评价一句：碉堡了！给力到爆！

 

第二篇：纽约时报：The Avengers《复仇者联盟》影评

Superheroes, Super Battles, Super Egos

By A. O. SCOTT

Published: May 3, 2012

Scientists estimate that we reached Peak Superhero in the summer of 2008, when “The Dark Knight” sucked the attention of every critic, pundit and sentient moviegoer into its inky nexus. It is not as if the number of movies featuring troubled guys wearing costumes and fighting evil has diminished since then. Quite the contrary. But the genre, though it is still in a period of commercial ascendancy, has also entered a phase of imaginative decadence. (Do you really want to have an argument about this? If so, put on your best oversize metal suit and wait for me at the top of the New York Times building. I’ll be there as soon as I finish beta-testing my death ray. Apologies in advance to any commuters crushed by flying debris.) The latest evidence — though it is unlikely to be the last, with a new “Spider-Man” and another “Dark Knight” looming on the horizon — is “Marvel’s The Avengers.”

You may occasionally encounter (as I have, a few times in the past months) a walking relic of an earlier era of pop-cultural fandom who wonders if they have, at last, made another movie out of that fondly recalled British spy series from the 1960s. “They” have not, and those poor souls who cherish old daydreams of Diana Rigg in leather will have to console themselves with images of Scarlett Johansson in a black bodysuit.

So “The Avengers,” which has been foreshadowed by post-credits teasers in (deep breath), “Captain America,” “Thor,” “The Incredible Hulk” (the one with Edward Norton) and both “Iron Man” pictures, is not without its pleasures. Written and directed by Joss Whedon, this movie revels in the individuality of its mighty, mythical characters, pinpointing insecurities that are amplified by superhuman power and catching sparks that fly when big, rough-edged egos (and alter egos) collide. The best scenes are not the overblown, skull-assaulting action sequences — which add remarkably little that will be fresh or surprising to devotees of the “Transformers” franchise — but the moments in between, when the assembled heroes have the opportunity to brag, banter, flirt and bicker.

The secret of “The Avengers” is that it is a snappy little dialogue comedy dressed up as something else, that something else being a giant A.T.M. for Marvel and its new studio overlords, the Walt Disney Company. At times — when various members of a game and nimble cast amble in and out of the glassy, metallic chambers of a massive flying aircraft carrier, cracking wise, rolling eyes and occasionally throwing a punch — the movie has some of the easygoing charm of “Rio Bravo,” Howard Hawks’s great, late western in which John Wayne, Angie Dickinson, Dean Martin and Ricky Nelson did a lot of talking on their way to a big and not-all-that-interesting shootout.

The difference is that, in keeping with the imperatives of global franchise entertainment, the big shootout in “The Avengers” must be enormous, of a scale and duration that obliterates everything else. A hole opens in the sky, disgorging metallic warriors on Jet Skis and big snakey things that inflict serious digital damage on the Manhattan skyline. Before that there are similarly overdone combat sequences. None of them matches, in cinematic wit or visceral surprise, a sucker punch landed by the Hulk on Thor’s lantern jaw or a cartoonish smackdown delivered by that same angry green fellow on Loki, Thor’s adoptive brother and this episode’s main villain.

Loki (Tom Hiddleston), a disgraced Asgardian princeling with a spear and magic helmet, is after the tesseract, a glowing blue cube of pure energy. With the help of a couple of brainwashed turncoats, Loki has pried it away from Nick Fury (Samuel L. Jackson), a world-government spymaster with a lot of semi-secret projects up his sleeve. He assembles a team to get it back, consisting of the guys we’ve seen in the other movies (including Clark Gregg as Agent Coulson, the series’s hardest-working nonsuperhero and its most reliable comic asset), as well as Ms. Johansson’s Black Widow. Eventually Jeremy Renner’s Hawkeye joins up too, mostly to glower and shoot a lot of arrows.

Mr. Jackson, with an eye patch and his well-practiced bellow, is more master of ceremonies than mission commander, and under his watch the Avengers indulge in some Rat Pack-y horsing around. Captain America (Chris Evans) is teased for being an out-of-touch old-timer, Thor for being a longhaired deity from another planet. Tony Stark (Robert Downey Jr.) is his usual mischievous playboy self, distinguishable from Sherlock Holmes at this point thanks only to his accent and the brief presence of Gwyneth Paltrow in his penthouse. The newcomer — and every intellectual’s favorite comic-book-based movie character from now on — is Mark Ruffalo as Bruce Banner, a mopey, hesitant genius who turns large and green when angry.

“I’m always angry,” he says at one point, and while “The Avengers” is hardly worth raging about, its failures are significant and dispiriting. The light, amusing bits cannot overcome the grinding, hectic emptiness, the bloated cynicism that is less a shortcoming of this particular film than a feature of the genre. Mr. Whedon’s playful, democratic pop sensibility is no match for the glowering authoritarianism that now defines Hollywood’s comic-book universe. Some of the rebel spirit of Mr. Whedon’s early projects “Buffy the Vampire Slayer,” “Firefly” and “Serenity” creeps in around the edges but as detail and decoration rather than as the animating ethos.

“I aim to misbehave,” Malcolm Reynolds famously said in “Serenity.” But for all their maverick swagger, the Avengers are dutiful corporate citizens, serving a conveniently vague set of principles. Are they serving private interests, big government, their own vanity, or what? It hardly matters, because the true guiding spirit of their movie is Loki, who promises to set the human race free from freedom and who can be counted on for a big show wherever he goes. In Germany he compels a crowd to kneel before him in mute, terrified awe, and “The Avengers,” which

recently opened there to huge box office returns, expects a similarly submissive audience here at home. The price of entertainment is obedience.

“Marvel’s The Avengers” is rated PG-13. Blam. Splat. Kapow. Mostly bloodless.

Marvel’s The Avengers

Opens on Friday nationwide.

Directed by Joss Whedon; written by Mr. Whedon, based on a story by Mr. Whedon and Zak Penn; director of photography, Seamus McGarvey; edited by Jeffrey Ford and Lisa Lassek; music by Alan Silvestri; production design by James Chinlund; costumes by Alexandra Byrne; special effects supervisor, Dan Sudick; visual effects supervisor, Janek Sirrs; produced by Kevin Feige; released by Marvel Studios and Paramount Pictures. Running time: 2 hours 22 minutes.

WITH: Robert Downey Jr. (Tony Stark/Iron Man), Chris Evans (Steve Rogers/Captain America), Mark Ruffalo (Bruce Banner/the Hulk), Chris Hemsworth (Thor), Scarlett Johansson (Natasha Romanoff/Black Widow), Jeremy Renner (Clint Barton/Hawkeye), Tom Hiddleston (Loki), Stellan Skarsgard (Professor Erik Selvig), Samuel L. Jackson (Nick Fury), Clark Gregg (Agent Phil Coulson), Cobie Smulders (Agent Maria Hill) and Gwyneth Paltrow (Pepper Potts).